Showing Records: 21 - 30 of 185
Concertato: God, who at the font once named us, 1999
Concertato: God, Who at the Font Once Named Us. Text: Herman G. Stuempfle, Jr. Music: Richard Proulx, 1999. Tune: PERSELL. 1 manuscript by Proulx's hand spliced with printed lyrics.
Descant for the hymn "For All the Saints"
Descant for the hymn For All The Saints (SINE NOMINE). Original melody by R. Vaughan Williams (Stanzas 7 and 9)
There are two sheets of paper for this music. One consists of Vaughan William’s music (unison for vv.1,2,3,7,8; SATB vv. 4, 5, 6), while the other is a descant that goes with verses 7 and 8. (There is no indication of who composed the descant. It may have been Proulx.)
Easter Sequence and gospel acclamation
Easter Sequence and gospel acclamation / Richard Proulx. This an arrangement of the 15th century French work (Hynary.org). The piece is for cantor and/or choir, flute, and organ. Note that the manuscript is written on the back of a manuscript by R. Woolle
Easter Vigil: Responsory for Genesis 22 [Psalm (15)16:5-11], 1989
Easter Vigil: Responsory for Genesis 22 [Psalm (15)16:5-11]
Proulx wrote this responsory for the Easter Vigil to be sung after Genesis 22 [psalm (15)16:5-11]. It is unclear if this has ever been published.
Epiphany, 1984
"Epiphany". anthem for unison voices (with divisi) and organ. Poem by Sister M. Angela Toigo, O.S.B. Music by Richard Proulx, 1984. 1 manuscript by Proulx's hand. Copies of original manuscript. Original is spliced with copies and vice-versa.
Eucharistic acclamations from "Responsorial Mass", 1987
Eyes of all, 1997
Unison with Organ. Psalm 147: 14-17, Paraphrase: R.P.
Festival alleluia, 1981
Festival alleluia / Proulx, Richard. This work is a melody with lyrics and popular chord symbols. The work begins with a main line being sung first as a "solo" and then by "all." It is unclear if "all" is meant to mean the congregation or the choir. The p
Folk chant for community singing : (Parish Book of)
Folk chant for community singing : (Parish Book of) / Richard Proulx. Here, Proulx has set four mass parts through the use of traditional, modal chant singing. The mass parts include the kyrie, gloria, memorial and gospel acclamations. The chants are both
Gathering Song, 2007
Gathering Song Alexander Peloquin; words by Kenneth Omernick (1976)
Proulx arranged instrumental parts for Peloquin's original piece. In this file is the engraved version of the choir/organ score, as well as individual parts for flute, horns in F, 2 trombones (horns in F substitute), bass, and percussion.
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